Let us imagine a puppeteer controlling string puppets or marionettes. Let us imagine how the puppeteer’s fingers, through strings invisible to the audience, make the puppets move and dance on the stage. The twist? Our puppeteer is not playing puppets: What we find at the ends of the strings is a cloud–or, at least, an interpretation of clouds at best. Using fingers, the puppeteer is trying to imitate how clouds always move and change, wandering the sky with appearances which can never be same at every step.
